Summary The dichotomy between the impulses of the eye and the heart is developed further in this sonnet. After the preceding two sexually comic sonnets, Sonnet 137 presents the poet seriously musing over just how false love can be. He first addresses Love, which he calls “A blind fool” and […]
Read more Summary and Analysis Sonnet 137Summary and Analysis Sonnet 136
Summary Sonnet 136 continues to play on the word “will,” and the result is still more damaging to the woman’s character. The lady has other lovers but has not yet consented to accept the poet. In the last line, the poet acknowledges, “And then thou lovest me, for my name […]
Read more Summary and Analysis Sonnet 136Summary and Analysis Sonnet 135
Summary The punning on the word “will” continues from the previous sonnet. The poet wants to continue his sexual relationship with his mistress, but she is already bursting with lovers: “Whoever hath her wish, thou hath thy Will, / And Will to boot, and Will in overplus.” Here in just […]
Read more Summary and Analysis Sonnet 135Summary and Analysis Sonnet 134
Summary The story of the poet’s friend’s seduction unfolds in Sonnet 134. Hoping to gain the woman’s favor, the poet sends the young man to the woman with a message. However, she seizes the opportunity to make the youth her lover, and the youth responds to her advances wholeheartedly, as […]
Read more Summary and Analysis Sonnet 134Summary and Analysis Sonnet 133
Summary Whereas Sonnet 132 makes the mistress into a chaste beauty, Sonnet 133 maligns her for seducing the poet’s friend, the young man: “Beshrew that heart that makes my heart to groan / For that deep wound it gives my friend and me.” Whether or not this “deep wound” is […]
Read more Summary and Analysis Sonnet 133Summary and Analysis Sonnet 132
Summary Sonnet 132 represents an intensification of the poet’s feelings for the Dark Lady, ironically paralleling his former relationship with the youth in that the poet recognizes that she does not love him. Built around an image of the woman’s eyes, the sonnet is most notable for an extended pun […]
Read more Summary and Analysis Sonnet 132Summary and Analysis Sonnet 131
Summary The poet further discusses his mistress’s unattractive appearance. The first quatrain continues the previous sonnet’s ending thought, that the Dark Lady is “the fairest and most precious jewel.” However, after these opening four lines, the poet then acknowledges that to other people the Dark Lady’s appearance is anything but […]
Read more Summary and Analysis Sonnet 131Summary and Analysis Sonnet 130
Summary Sonnet 130 is a parody of the Dark Lady, who falls too obviously short of fashionable beauty to be extolled in print. The poet, openly contemptuous of his weakness for the woman, expresses his infatuation for her in negative comparisons. For example, comparing her to natural objects, he notes […]
Read more Summary and Analysis Sonnet 130Summary and Analysis Sonnet 129
Summary The mistress is not mentioned in this sonnet. Instead, the poet pens a violent diatribe against the sin of lust. The sonnet’s angry attack on sexual pleasure stands between two rather innocuous sonnets addressed to the woman at the keyboard, and serves as a commentary on the morning following […]
Read more Summary and Analysis Sonnet 129Summary and Analysis Sonnet 128
Summary Sonnet 128 is one of the few sonnets that create a physical scene, although that scene involves only the poet standing beside “that blessed wood” — probably a harpsichord, a stringed instrument resembling a grand piano — that the Dark Lady is playing. The sonnet is comparable to Sonnet […]
Read more Summary and Analysis Sonnet 128