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Summary and Analysis Sonnet 87

William Shakespeare

Summary Sonnet 87 reads like a conclusion to the sonnet sequence describing the dominance of the rival poet, but in fact is the poet’s farewell to the youth, who has returned to him but “art too dear” for the poet to possess. The theme of farewell unifies this sonnet; in […]

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Summary and Analysis Sonnet 86

William Shakespeare

Summary Unlike the previous sonnets dealing with the rival poet, this last sonnet in the rival-poet sequence is written in the past tense and indicates that the rival is no longer a threat. Up to this point, the rival was shown gaining on the poet for the youth’s affection, and […]

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Summary and Analysis Sonnet 85

William Shakespeare

Summary The poet likens himself to an “unlettered clerk” and finds his Muse “tongue-tied” — the identical phrase the poet used in Sonnet 80 to characterize himself. His rival seems a more gifted poet and a better-esteemed person, but in supposing himself and his work to possess little virtue, the […]

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Summary and Analysis Sonnet 84

William Shakespeare

Summary The poet offers advice — while criticizing the rival poet — to any writer who wishes to achieve true poetry: Copying and interpreting nature are necessary for art, but lavishly ornamenting nature creates false art. For this reason, no distortion of the youth’s beauty describes him. The poet need […]

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Summary and Analysis Sonnet 83

William Shakespeare

Summary Apparently having been reproached by the youth for withdrawing from competition against the rival poet, the poet argues that it is better not to write any poetry than to write falsely. Recalling the phrase “gross painting” from the previous sonnet, the poet responds to what must have been the […]

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Summary and Analysis Sonnet 82

William Shakespeare

Summary A less subdued poet challenges the rival poet. In contrast to the intellectually fashionable rival, the poet possesses an intuitive, almost spiritual inspiration. As wise as his rival is merely clever, he agrees with the young man that his verse may be inferior to the beauty of its subject, […]

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Summary and Analysis Sonnet 81

William Shakespeare

Summary The poet rebounds somewhat in the face of the rival poet’s opposition. Reverting to tried-and-tested themes, he heroically assures the youth that he, unlike the rival poet, can immortalize the young man through his sonnets: “Your name from hence immortal life shall have, / Though I, once gone, to […]

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Summary and Analysis Sonnet 80

William Shakespeare

Summary The poet acknowledges that the rival poet displaces him in the youth’s favor. Feeling discouraged by the superiority of the “better spirit” of the rival poet, whom he describes throughout the sonnet using nautical imagery, the poet complains of being “tongue-tied,” unable to compete with his rival’s exalted verse. […]

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Summary and Analysis Sonnet 79

William Shakespeare

Summary Sonnet 79 presents the first specific reference to a rival poet who vies for the young man’s affections. Without losing his sense of moral superiority, the poet bitterly resents the other poet. His first response to the challenge is feeble and characteristically modest: “I grant, sweet love, thy lovely […]

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Summary and Analysis Sonnet 78

William Shakespeare

Summary The poet’s success in gaining entry into the youth’s good graces inspires imitators: “As every alien pen hath got my use, / And under thee their poesy disperse.” Acknowledging that he is being challenged by other poets for the young man’s affections, the poet asks the youth to compare […]

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Book chapters

  • Postcolonial Irony: The Western Gaze in Amy Tan’s Fiction
  • Preserving Memory: Storytelling and Identity in The Bonesetter’s Daughter
  • Memory, Myth, and Identity: The Power of Belief in Amy Tan’s The Hundred Secret Senses
  • The Burden of Secrets: Generational Pain in Amy Tan’s Novel
  • Social Forecasting: Aldous Huxley’s Lessons for Modern Society
  • The Magical and the Spiritual in Amy Tan’s The Hundred Secret Senses: Past Lives, “Yin Eyes,” and Cultural Memory
  • The Evolution of Dramatic Structure: Classical Antiquity and Shakespeare’s Innovation
  • Autobiographical Motifs in Hemingway’s Novels and Stories
  • Female Solidarity and Rivalry in The Valley of Amazement: Support, Survival, and Power Among Women
  • Realism and Existential Themes in the Works of Ernest Hemingway
  • Blindness as the Inner Drama of Power
  • Dreams and Reality: The Psychology of Altered States in Literature
  • From Utopia to Simulation: Visualizing Ideal Worlds in the Digital Age
  • The Writer as Healer: Creativity as a Response to Suffering
  • The Fragility of Memory: Alzheimer’s and Narrative Reconstruction
  • Language, Memory, and Healing in The Bonesetter’s Daughter
  • Reality and Spirituality: The Interplay of East and West
  • Sisterhood and Reconciliation in The Hundred Secret Senses
  • Trauma and Memory: Reconstructing Identity Through Narrative
  • Breaking the Silence: Female Testimony in The Kitchen God’s Wife
ABSALOM ABSALOM! ADAM BEDE THE ADVENTURES OF HUCKLEBERRY FINN THE ADVENTURES OF TOM SAWYER
AENEID AGAMEMNON, THE CHOEPHORI AND THE EUMENIDES THE AGE OF INNOCENCE THE ALCHEMIST
ALICE'S ADVENTURES IN WONDERLAND ALL THE KING'S MEN ALL THE LIGHT WE CANNOT SEE ALL THE PRETTY HORSES
ALL QUIET ON THE WESTERN FRONT ALL'S WELL THAT ENDS WELL THE AMBASSADORS THE AMERICAN
AMERICAN POETS OF THE 20TH CENTURY AN AMERICAN TRAGEDY ANDROMACHE ANIMAL FARM
ANNA KARENINA ANTHEM ANTONY AND CLEOPATRA ARMS AND THE MAN
ARROWSMITH AS I LAY DYING AS YOU LIKE IT THE ASSISTANT
ATLAS SHRUGGED THE AUTOBIOGRAPHY OF BENJAMIN FRANKLIN THE AUTOBIOGRAPHY OF MALCOLM X THE AWAKENING
BABBITT BARTLEBY THE SCRIVENER THE BELL JAR BELOVED
BENITO CERENO BEOWULF THE BEAN TREES BILLY BUDD
BLACK BOY BLACK ELK SPEAKS BLEAK HOUSE BLESS ME ULTIMA
THE BLUEST EYE THE BOOK THIEF BRADBURY'S SHORT STORIES BRAVE NEW WORLD
THE BROTHERS KARAMAZOV THE CALL OF THE WILD
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