Summary All pride is missing in this sonnet, whose first four lines continue the poet’s fear of the “truth” evoked in the preceding sonnet. Moreover, the poet is prepared to place blame on himself for the youth’s no longer loving him: “And this my hand against myself uprear . . […]
Read more Summary and Analysis Sonnet 49Summary and Analysis Sonnet 48
Summary The youth keeps the poet on edge, and once again we see the poet’s bondage to the relationship. The poet develops a metaphorical contrast between being robbed of physical possessions and losing emotional ties to the young man. This loss that he so fears is already in the making, […]
Read more Summary and Analysis Sonnet 48Summary and Analysis Sonnet 47
Summary In Sonnet 46, conflict between the eyes and heart is the theme. In Sonnet 47, these organs complement one another. The sonnet, rather uninspired compared to many of Shakespeare’s sonnets, contrasts the actual and imaginary youth: “So, either by thy picture or my love, / Thyself away are present […]
Read more Summary and Analysis Sonnet 47Summary and Analysis Sonnet 46
Summary The poet alludes to contradictions within himself when he considers his longing for the sight of the youth’s good looks and his need to love and be loved by the youth himself. Sonnet 46 thus deals with the theme of conflict between the poet’s eyes and heart: “Mine eye […]
Read more Summary and Analysis Sonnet 46Summary and Analysis Sonnet 45
Summary This sonnet continues and completes the idea of Sonnet 44, but here air and fire — symbolizing the poet’s thoughts and desires, respectively — are linked to the youth because the poet continuously thinks about and desires the young man. Figuratively, the sonnet implies not so much direct communication […]
Read more Summary and Analysis Sonnet 45Summary and Analysis Sonnet 44
Summary Sonnet 44 and the following one form a continuous theme involving the four basic elements of matter according to Elizabethan science: earth, water, air, and fire. Sonnet 44 deals with earth and water, and Sonnet 45 with air and fire. In Sonnet 44, the poet laments his physical distance […]
Read more Summary and Analysis Sonnet 44Summary and Analysis Sonnet 43
Summary The next sonnet series on absence begins here with Sonnet 43 and continues through Sonnet 58. Throughout this new sequence, different meanings of the same words are developed in versatile constructions and juxtapositions. Note the curious double use of “shadow” and “form” in “Then thou, whose shadow shadows doth […]
Read more Summary and Analysis Sonnet 43Summary and Analysis Sonnet 42
Summary Only in this last sonnet concerning the youth and the poet’s mistress does the poet make fully apparent the main reason for his being so upset: “That she hath thee is of my wailing chief, / A loss in love that touches me more nearly.” The poet is grieved […]
Read more Summary and Analysis Sonnet 42Summary and Analysis Sonnet 41
Summary In order to forgive the youth for his actions, the poet places himself in both the youth’s position and that of the mistress. In the sonnet’s first four lines, the poet mildly accuses the young man of committing small sins, but he then goes on to accept the youth’s […]
Read more Summary and Analysis Sonnet 41Summary and Analysis Sonnet 40
Summary Sonnet 40 begins a three-sonnet sequence in which the poet shares his possessions and his mistress with the youth, although it is not until Sonnet 41 that he directly mentions their liaison. The use of the word “love” may be confusing to readers, for “love” in this sonnet means […]
Read more Summary and Analysis Sonnet 40